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Illustration for the poem Last Words by Owen Meredith, 1860. Artist: John Everett Millais
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Illustration for the poem Last Words by Owen Meredith, 1860. Artist: John Everett Millais
Illustration for the poem Last Words by Owen Meredith, 1860. Will watching and listening at his friends deathbed. Owen Meredith was the pseudonym of Edward Robert Bulwer Lytton (1831-1891), 1st Earl Lytton. From The Cornhill Magazine. (London, November 1860)
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Media ID 14847112
© Ann Ronan Picture Library / Heritage-Images
1st Earl Of Lytton Bedchamber Bedroom Bulwer Lytton Compassion Deathbed Dying Earl Of Lytton Edward Robert Bulwer Lytton Friend Friendship John Everett John Everett Millais John Everett Millais Ra Lord Lord Lytton Lytton Mate Millais Poem Robert Bulwer Lytton Sir John Everett Millais Vigil Ann Ronan Pictures Last Words
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EDITORS COMMENTS
This print captures a poignant moment in literary history. Created by the renowned artist John Everett Millais, this illustration brings to life the poem "Last Words" written by Owen Meredith (pseudonym of Edward Robert Bulwer Lytton). The scene depicts a solemn bedroom where a man sits attentively beside his dying friend's bed. The Victorian-era furniture and decor create an atmosphere of elegance and melancholy. The attention to detail is remarkable, as every element contributes to the overall narrative. The chair on which the man sits symbolizes compassion and support during his friend's final moments. Lord Lytton, also known as Edward Robert Bulwer Lytton, was not only an esteemed poet but also held prominent positions in British society. This artwork showcases his deep friendship with Millais, who masterfully captured the emotions conveyed through his words. As we gaze upon this engraving from 19th-century England, we are transported back in time to witness a heartfelt vigil at a deathbed. It serves as a reminder of the power of friendship and companionship during times of sorrow. This print is not just an exquisite work of art; it is also an homage to two influential figures in literature: Lord Lytton and John Everett Millais. Their collaboration immortalizes their bond while evoking contemplation on mortality and human connection that transcends time itself.
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