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Title page of Old Saint Pauls by William Harrison Ainsworth, 1855. Artist: Hablot Knight Browne

Title page of Old Saint Pauls by William Harrison Ainsworth, 1855. Artist: Hablot Knight Browne


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Title page of Old Saint Pauls by William Harrison Ainsworth, 1855. Artist: Hablot Knight Browne

Title page of Old Saint Pauls by William Harrison Ainsworth, 1855. A romantic historical novel set in 1665 and 1666 during the plague of London and the Fire of London. Mike Macascree, the blind musician, terrifying Chowles and the death cart attendants when he comes round in the cart on the way to the plague pit, and begins to play. From Old St Pauls by William Harrison Ainsworth. (London, 1855). First edition, London 1841

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Media ID 14837735

© Ann Ronan Picture Library / Heritage-Images

Afraid Ainsworth Alarm Blind Browne Cart Disease Fiction Fictional Character Frighten Frightened Frightening Hablot Browne Hablot Knight Hablot Knight Browne Old St Pauls Phiz Plague Plague Of London Scared William Harrison William Harrison Ainsworth Ann Ronan Pictures Chowles


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> Arts > Artists > B > Hablot Knight Browne

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> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

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> Arts > Portraits > Pop art gallery > Street art portraits

> Europe > United Kingdom > England > London > Art > Music > Related Images


EDITORS COMMENTS
The captivating title page of "Old Saint Pauls" by William Harrison Ainsworth, illustrated by Hablot Knight Browne, transports us to the haunting streets of 17th century London. This romantic historical novel, set amidst the devastating plague and fire that ravaged the city in 1665 and 1666 respectively, weaves a tale filled with suspense and terror. In this striking print, we witness a spine-chilling moment as Mike Macascree, the blind musician, awakens from his slumber on a death cart en route to the plague pit. As he regains consciousness, his fingers instinctively find their way to his instrument. The eerie melody that emanates from it sends shivers down the spines of Chowles and the death cart attendants who stand frozen in fear. Browne's intricate engraving skillfully captures this hair-raising scene. The dimly lit street is depicted with meticulous detail – every cobblestone seems to bear witness to London's suffering during those dark times. The expressions on the faces of these men convey sheer terror as they encounter something beyond their comprehension. This evocative image not only reflects Ainsworth's masterful storytelling but also serves as a testament to Browne's artistic prowess. Through their collaboration, they transport us back in time and immerse us in an era plagued by disease and destruction. As we gaze upon this print today, it reminds us of our resilience in times of adversity while paying homage to those who lived through such harrowing experiences centuries ago.

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