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Seni Gazing on the Body of Wallenstein, 1864

Seni Gazing on the Body of Wallenstein, 1864


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Seni Gazing on the Body of Wallenstein, 1864

Seni Gazing on the Body of Wallenstein, 1864. A scene from Friedrich Schillers play The Death of Wallenstein. An engraving from the Illustrated Times, (London, 1864)

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Media ID 14916263

© The Print Collector / Heritage-Images

Carl Theodor Von Piloty Carl Von Piloty Character Corpse Dead Friedrich Schiller Johann Christoph Friedrich Von Karl Theodor Von Karl Theodor Von Piloty Karl Von Piloty Piloty Schiller Thespian


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Seni Gazing on the Body of Wallenstein, 1864 - A Captivating Moment in Theatre History

EDITORS COMMENTS
. This print captures a scene from Friedrich Schiller's renowned play, "The Death of Wallenstein" brought to life by the talented actor Karl Theodor von Piloty. Set in Germany during the 19th century, this powerful image showcases the dramatic intensity and emotional depth that defined theatrical performances of that era. In this particular scene, we witness Seni, portrayed by Piloty himself, gazing upon the lifeless body of Wallenstein. Dressed in exquisite period costume, he embodies his character with remarkable skill and authenticity. The monochrome setting adds an air of mystery and melancholy to the overall composition. Piloty's portrayal reveals not only his exceptional acting prowess but also his deep understanding of Schiller's complex characters. Through his expressive gaze and subtle body language, he conveys Seni's profound grief over the loss of a great leader. As we delve into this mesmerizing engraving from Illustrated Times (London), we are transported back in time to witness a pivotal moment in theatre history. This image serves as a testament to both Piloty's talent as an actor and Schiller's enduring legacy as one of Germany's greatest playwrights. With every detail meticulously captured by an unknown creator behind this print collector piece, it stands as a timeless tribute to artistry within performing arts—a reminder that even through death and tragedy, beauty can be

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