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The Russian Garotter, 1870. Artist: Joseph Swain

The Russian Garotter, 1870. Artist: Joseph Swain


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The Russian Garotter, 1870. Artist: Joseph Swain

The Russian Garotter, 1870. The Russian exclaims No one Looking! Nows the Time to Hit Him! A Russian is seen creeping up on Turkey as he stands watching the bitter fighting between Prussia and France in the background. Britain, pledged to preserve the independence of Turkey, is represented by Mr Policeman Bull, the representative of British law and order. Turkey was beginning to experience internal administrative problems, and Russia was beginning to cast covetous eyes in that direction. The reference to the garrotting comes from the rash of garrotting crimes that had taken place in London some years earlier. From Punch, or the London Charivari, December 3, 1870

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Media ID 14831486

© The Print Collector / Heritage-Images

1870 1871 Creeping Franco Prussian War Heritage Image Partnership John Tenniel Joseph Swain Policeman Sir John Tenniel Swain Tenniel Turkey Turkish Allegorical Figure


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> Animals > Mammals > Cats (Domestic) > Russian White

> Arts > Artists > T > John Tenniel

> Asia > Turkey > Related Images

> Europe > France > Military

> Europe > Russia > Related Images

> Europe > United Kingdom > England > London > Related Images


EDITORS COMMENTS
This print titled "The Russian Garotter, 1870" by Joseph Swain captures a significant moment in history. The image portrays a scene from the Franco-Prussian War, with Prussia and France engaged in bitter fighting in the background. Amidst this chaos, a Russian figure is seen creeping up on Turkey, who stands as an observer. The artist cleverly uses symbolism to convey political tensions of that time. Britain's commitment to preserving Turkey's independence is represented by Mr Policeman Bull, embodying British law and order. Meanwhile, Russia casts covetous eyes towards Turkey due to its internal administrative problems. The reference to garrotting crimes in London adds another layer of meaning to the artwork. This alludes to the violent acts that had occurred in London years prior and serves as a metaphor for Russia's aggressive intentions towards Turkey. Through this satirical engraving published in Punch magazine on December 3rd, 1870, Swain highlights geopolitical struggles and power dynamics prevalent during the late 19th century. The monochrome black-and-white aesthetic enhances the dramatic impact of the illustration. "The Russian Garotter" offers viewers a glimpse into historical events while showcasing Joseph Swain's artistic prowess alongside John Tenniel's collaboration on this piece. It serves as both an allegorical representation of political conflicts and a testament to the enduring significance of satire throughout centuries past.

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