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Ombos Temple, Nubia, Egypt, 1887. Artist: Henri Bechard

Ombos Temple, Nubia, Egypt, 1887. Artist: Henri Bechard


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Ombos Temple, Nubia, Egypt, 1887. Artist: Henri Bechard

Ombos Temple, Nubia, Egypt, 1887. Ruins of the Ptolemaic temple of Kom Ombo. From the collection of the Bibliotheque Nationale de France

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Media ID 14843134

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1st Century Bc 2nd Century Bc Ancient Egypt Ancient Site Bechard Henri Henri Bechard Kom Ombo Nubia Ptolemaic Period Ancient Egyptian Print Collector3


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Architecture > Country > France

> Architecture > Styles > Ancient Egyptian Architecture

> Architecture > Styles > Egyptian Architecture

> Architecture > Temples

> Arts > Artists > Related Images

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > France > Related Images


EDITORS COMMENTS
This print takes us back to the ancient ruins of Ombos Temple in Nubia, Egypt, captured by the talented artist Henri Bechard in 1887. The Ptolemaic temple of Kom Ombo stands as a testament to the rich history and architectural marvels of this region. As we gaze upon this monochrome image, we are transported to a time when these magnificent structures were at their prime. The photograph showcases the intricate details of the temple's columns, highlighting their grandeur and craftsmanship that have withstood centuries of existence. The ruins evoke a sense of awe and curiosity about the lives led by those who once inhabited these sacred grounds. Bechard's artistic vision beautifully captures not only the physical remnants but also the essence of ancient Egyptian culture that permeates throughout this site. It serves as a reminder that even in decay, there is beauty to be found. Preserved within the collection of Bibliotheque Nationale de France, this print allows us to appreciate both Bechard's skillful artistry and our shared human heritage. It invites us on an archaeological journey through time, where every pillar tells a story waiting to be unraveled. As we admire this remarkable piece from 19th-century Egyptology, let it serve as a window into an era long gone yet forever imprinted on these weathered stones – an invitation for exploration and contemplation amidst one of humanity's most enduring civilizations.

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