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Lady Bagot, Viscountess Burghersh and Lady Fitzroy Somerset, 1827, (1911). Artist: Thomas Lawrence
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Lady Bagot, Viscountess Burghersh and Lady Fitzroy Somerset, 1827, (1911). Artist: Thomas Lawrence
Lady Bagot, Viscountess Burghersh and Lady Fitzroy Somerset, 1827, (1911). Lady Emily Harriet Wellesley-Pole (1792-1881) with her sisters Lady Priscilla Anne Wellesley-Pole, Countess of Westmorland (1793-1879) and Lady Mary Charlotte Anne Wellesley-Pole, Lady Bagot (d.1845) after Sir Thomas Lawrence (1769-1830), a leading English portrait painter and the fourth president of the Royal Academy. From The Connoisseur Vol XXXI. [Otto Limited, London, 1911]
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Media ID 14978599
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Lawrence Limited Otto Otto Limited Pastel Side By Side Sir Thomas Lawrence Sister The Connoisseur Thomas Lawrence Viscountess Westmorland Young Aristocrat Metaphor
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EDITORS COMMENTS
This print showcases the elegant Lady Bagot, Viscountess Burghersh, and Lady Fitzroy Somerset in 1827. The artist behind this masterpiece is none other than Thomas Lawrence, a renowned English portrait painter and former president of the Royal Academy. The image captures three young women from an aristocratic family: Lady Emily Harriet Wellesley-Pole (1792-1881) with her sisters Lady Priscilla Anne Wellesley-Pole, Countess of Westmorland (1793-1879), and Lady Mary Charlotte Anne Wellesley-Pole, also known as Lady Bagot (d. 1845). Their graceful presence is depicted side by side in a metaphorical representation of sisterly love and unity. With its pastel colors and delicate details, this photograph transports us back to the 19th century. It offers a glimpse into the lives of privileged individuals during that time period. The women's refined attire reflects their status within high society. This particular print was featured in The Connoisseur Vol XXXI magazine published by Otto Limited in London in 1911. It serves as a testament to the enduring appeal of Sir Thomas Lawrence's work even decades after his passing. As we admire this exquisite piece of artistry, we are reminded not only of the beauty captured on canvas but also of the rich history these women represent – an era defined by aristocracy and refinement.
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