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Illustration from John Miltons Paradise Lost, 1866. Artist: Gustave Dore

Illustration from John Miltons Paradise Lost, 1866. Artist: Gustave Dore


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Illustration from John Miltons Paradise Lost, 1866. Artist: Gustave Dore

Illustration from John Miltons Paradise Lost, 1866. Illustration for Miltons (1608-1674) epic poem dramatising the fall of Man in the Book of Genesis in the Bible. Falling through the breach in the wall of Heaven, the rebel angels plunge down into hell. Paradise Lost was first published in 1667

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Media ID 14864460

© Oxford Science Archive / Heritage-Images

Bible Scene Book Of Genesis Dore Downfall Fall Of Man Fallen Falling Genesis Gustave Gustave Dor Gustave Dore Heaven John Milton Louis Christophe Gustave Dore Milton Oxford Science Archive Paradise Lost Paul Gustave Paul Gustave Dore Rebel Biblical Metaphor Old Testament Poetry Wood Engraving


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> Arts > Artists > D > Gustave Dore

> Arts > Artists > M > John Milton

> Arts > Literature > Books

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > Oxford


EDITORS COMMENTS
This print, titled "Illustration from John Milton's Paradise Lost, 1866" showcases the extraordinary talent of artist Gustave Dore. Created as an illustration for John Milton's epic poem, which dramatizes the fall of Man in the Book of Genesis, this artwork beautifully captures a pivotal moment in biblical history. In this scene, rebel angels are depicted falling through a breach in the wall of Heaven and descending into hell. The intricate wood engraving technique used by Dore adds depth and texture to every detail, immersing viewers in this powerful visual representation. Paradise Lost was first published in 1667 during a time when religious themes were highly regarded in England. This masterpiece became an influential piece of literature that explored concepts such as rebellion, downfall, and man's fall from grace. Dore's skillful portrayal not only reflects his artistic prowess but also evokes a sense of awe and wonderment within its audience. The monochrome aesthetic enhances the dramatic atmosphere while emphasizing the gravity of these biblical events. As we gaze upon this nineteenth-century print today, it serves as a reminder of our rich cultural heritage and offers us an opportunity to delve into profound philosophical questions surrounding faith and human nature.

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