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First Class Travelling, 1864. Artist: Charles Samuel Keene
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First Class Travelling, 1864. Artist: Charles Samuel Keene
First Class Travelling, 1864. Various Evolutions Performed by Mr. M Lankie, after the Eighth Hour of the Journey from Edinburgh to London, in the Vain Endeavour to Obtain Relief for his Legs. One of the regular targets of Punchs satire was the new and rapidly developing railway network. Here is a dig at the discomfort to be experienced even by a First Class passenger on a long journey. From Punch, or the London Charivari, November 26, 1864
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Media ID 14830682
© The Print Collector / Heritage-Images
1st Class Charles Samuel Charles Samuel Keene Discomfort Edinburgh First Class Heritage Image Partnership Journey Keene Luggage Passenger Passengers Seat Travelling Uncomfortable Luggage Rack
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EDITORS COMMENTS
This print by Charles Samuel Keene, titled "First Class Travelling, 1864" offers a satirical glimpse into the discomforts of early railway travel. Set during the rapid development of Britain's railway network in the 19th century, this artwork captures the struggles faced by even first-class passengers on long journeys. The central figure in the image is Mr. M Lankie, who after eight hours of travel from Edinburgh to London, desperately seeks relief for his tired legs. With exaggerated movements and expressions, Keene humorously depicts Lankie's various attempts to find comfort within his seat. The cartoonish style adds a touch of lightness to an otherwise uncomfortable situation. The artist cleverly highlights the inconveniences faced by travelers during this era - cramped seating arrangements and limited legroom being among them. Through this satirical portrayal, Keene takes aim at both the concept of traveling itself and the new railway system that promised convenience but often fell short. This print serves as a reminder that progress does not always equate to immediate comfort or satisfaction. Overall, "First Class Travelling" provides us with a fascinating insight into historical transportation experiences while showcasing Charles Samuel Keene's talent for capturing social commentary through art.
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