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The Derby - The Return, 1859
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The Derby - The Return, 1859
The Derby - The Return, 1859. In the General Election of 1859 that followed the defeat of Disraelis Reform Bill, the Conservatives made gains of some 30 seats. Here, Derby and Disraeli show John Bull their entry ticket showing the number of members returned as 302 to allow them to pass through the Government gate. However, as John Bull points out, 302 was not a sufficient return to give Derby a working majority. In the background, Palmerston can be seen, arms crossed, awaiting his turn. From Punch, or the London Charivari, June 4, 1859
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Media ID 14829273
© The Print Collector / Heritage-Images
Benjamin Benjamin Disraeli Conservative Conservative Party Derby Disraeli Dizzy Earl Of Beaconsfield Gate General Election Henry John Henry John Temple Heritage Image Partnership Horse Race Horse Racing John Bull Lord Lord Palmerston Palmerston Political Event Races Ticket Viscount Hughendon Of Hughendon Viscount Palmerston Admittance Allegorical Figure
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EDITORS COMMENTS
In this print, titled "The Derby - The Return, 1859" we are transported back to a significant political event in the 19th century. Depicting an allegorical scene with elements of satire, the image showcases Benjamin Disraeli and Edward Stanley, the 15th Earl of Derby, presenting their entry ticket to John Bull. The context behind this artwork lies in the aftermath of Disraeli's Reform Bill defeat and the subsequent General Election of 1859. As members of the Conservative Party, Derby and Disraeli made gains by securing around 30 seats. However, as John Bull astutely points out, their return of only 302 members falls short for them to achieve a working majority. Amidst this political drama stands Lord Palmerston in the background with his arms crossed – patiently awaiting his turn on this grand stage. The presence of these influential statesmen adds depth to the composition while symbolizing their roles within British politics during that era. This engraving from Punch magazine serves as both a historical document and a clever commentary on power dynamics within society. It captures not only an important moment in British politics but also highlights themes such as competition (represented by horse racing) and ambition (embodied by politicians). As we gaze upon this heritage image partnership between creators Benjamin Disraeli, Edward Stanley, Lord Palmerston, and an unknown artist; it reminds us that even amidst political turmoil or sporting events like horse races – human nature remains constant throughout time.
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