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A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson

A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson


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A Brace of Blackguards, June 20, 1789. June 20, 1789. Creator: Thomas Rowlandson

A Brace of Blackguards, June 20, 1789

Heritage Images features heritage image collections

Media ID 19988265

© Heritage Art/Heritage Images

Alcohol Beer Boxer Boxing Clay Pipe Club George Morland Morland Morland George Pipe Public House Pugilist Rowlandson Rowlandson Thomas Satirist Self Portrait Tankard Tavern Thomas Rowlandson Tobacco Pipe Aquatint Shillelagh


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Arts > Artists > M > George Morland

> Arts > Artists > R > Thomas Rowlandson

> Arts > Artists > W > George White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


A Brace of Blackguards, June 20,1789

EDITORS COMMENTS
is a captivating and satirical print created by Thomas Rowlandson in the 18th century. This black and white artwork showcases Rowlandson's exceptional talent as an artist and his ability to capture the essence of British society during that era. In this scene, we are transported to a bustling pub filled with rowdy characters engaged in various activities. The central focus lies on two mischievous individuals, or "blackguards" who epitomize the spirit of rebellion and mischief prevalent at the time. One can't help but be drawn into their lively conversation while they enjoy pints of beer from tankards and smoke clay pipes. Rowlandson's attention to detail is evident as he portrays every aspect of this vibrant scene - from the intricately etched facial expressions to the weapons like shillelaghs held by some patrons. The artist masterfully captures not only their physical appearance but also their personalities through clever caricature techniques. This print serves as a window into Georgian Britain's social life, where pubs were hubs for camaraderie, entertainment, and even boxing matches depicted here with a pugilist ready for action. It offers us a glimpse into an era when alcohol flowed freely, tobacco was savored leisurely in clay pipes, and people sought refuge from everyday life within these public houses. As we admire this remarkable piece at The Metropolitan Museum of Art today, it reminds us how art can transcend time and provide

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