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PHYSIOGNOMY, 1533. Hair of an arrogant character (left), and that of a weak character

PHYSIOGNOMY, 1533. Hair of an arrogant character (left), and that of a weak character


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PHYSIOGNOMY, 1533. Hair of an arrogant character (left), and that of a weak character

PHYSIOGNOMY, 1533.
Hair of an arrogant character (left), and that of a weak character. Woodcut, 1533, from Bartolommeo Cocles Physiognomonia

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 12407824

1533 Arrogance Bartolommeo Cocle Face Hair Physiognomonia Physiognomy Cocles Weakness


EDITORS COMMENTS
This print from Granger Art on Demand showcases the intriguing concept of physiognomy, a belief popular during the Renaissance era. The woodcut, created by Bartolommeo Cocles in 1533, depicts two distinct hairstyles representing contrasting character traits. On the left side of the image, we see the hair of an arrogant character. It is meticulously styled and exudes confidence and self-assuredness. This hairstyle symbolizes a person who possesses excessive pride and dominance. In contrast, on the right side of the print, we observe the hair of a weak character. It appears disheveled and unkempt, reflecting vulnerability and lack of strength. This hairstyle represents someone who lacks assertiveness or has low self-esteem. The intricate details captured in this woodcut offer us a glimpse into how people during that time believed that physical appearances could reveal one's inner nature. Physiognomy aimed to decipher personality traits based on facial features such as hairlines or shapes. As we contemplate this thought-provoking artwork, it reminds us to reflect upon our own preconceived notions about individuals solely based on their outward appearance. Perhaps there is more to each person than meets the eye – hidden depths waiting to be discovered beyond mere physical attributes.

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