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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland


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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

VESALIUS: SPINE, 1543.
Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10409704

1543 Anatomy Andrea Andreas Back Belgian De Humani Corporis Fabrica Diagram Medicine Scientific Revolution Skeleton Spinal Column Vesalius


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EDITORS COMMENTS
This woodcut print is a remarkable illustration from the first book of Andreas Vesalius' De Humani Corporis Fabrica, published in 1543 at Basel, Switzerland. The intricate details and precision showcased in this artwork are a testament to Vesalius' groundbreaking contributions to the field of medicine during the Renaissance era. The image depicts a skeleton viewed from its back, focusing on the spinal column or spine. Every bone and vertebrae is meticulously depicted, highlighting Vesalius' deep understanding of human anatomy. This woodcut serves as an invaluable tool for medical students and professionals alike, providing them with an accurate visual representation of the skeletal structure. Andreas Vesalius was a Belgian physician who revolutionized anatomical studies through his meticulous dissections and detailed observations. His work challenged many long-held beliefs about human anatomy and paved the way for modern scientific advancements. This woodcut print not only represents an important milestone in medical history but also showcases the artistic beauty that can be found within scientific illustrations. Its historical significance combined with its aesthetic appeal makes it a valuable piece for anyone interested in both art and science.

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