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Divina Proportione, by Luca Pacioli (engraving)
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Divina Proportione, by Luca Pacioli (engraving)
2916294 Divina Proportione, by Luca Pacioli (engraving) by Vinci, Leonardo da (1452-1519); 28.1x19.8 cm; The University of St. Andrews, Scotland, UK; (add.info.: De divina proportione (On the Divine Proportion) is a book on mathematics written by Luca Pacioli and illustrated by Leonardo da Vinci, composed around 1498 in Milan and first printed in 1509.
Luca Pacioli (c.1447-1517)
Quarto, 281 x 198mm); eUniversity of St. Andrews Library; Italian, out of copyright
Media ID 22695628
© University of St. Andrews Library / Bridgeman Images
Form Forms Mathematics Maths Proportions Shape Shapes
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EDITORS COMMENTS
This print showcases the engraving of "Divina Proportione" by Luca Pacioli, illustrated by none other than Leonardo da Vinci. The artwork measures 28.1x19.8 cm and is housed at The University of St. Andrews in Scotland, UK. "Divina Proportione" also known as "On the Divine Proportion" is a remarkable book on mathematics written by Luca Pacioli around 1498 in Milan and first printed in 1509. This engraving beautifully captures the essence of Pacioli's work, which explores the concept of divine proportion through intricate shapes and forms. Luca Pacioli, a renowned mathematician from the late 15th century, has left an indelible mark on history with his groundbreaking contributions to mathematics and its applications. His collaboration with Leonardo da Vinci adds another layer of brilliance to this masterpiece. The image invites us to delve into the world of mathematics and appreciate its inherent beauty. It serves as a reminder that even complex mathematical concepts can be visually stunning when translated into art. As we gaze upon this print, we are reminded that mathematics is not merely about numbers but also about shape, form, and proportions – elements that exist harmoniously within our universe. It encourages us to explore further into these realms where art intertwines with science. This photograph from Fine Art Finder allows us to admire this extraordinary piece without any commercial implications while appreciating the genius behind it – both Luca Pacioli's mathematical
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