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The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper

The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper


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The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper

1218066 The Two Wives of Jason, before 1872 (watercolour and bodycolour over black chalk on paper) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Media ID 22536326

© Ashmolean Museum / Bridgeman Images

Drapery Holding Hands Jason Polygamy Westernart Wives Pre Raphaelite


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The Two Wives of Jason

EDITORS COMMENTS
is a captivating masterpiece by Edward Coley Burne-Jones, showcasing the artist's exceptional talent and his affiliation with the Pre-Raphaelite movement. This exquisite watercolor and bodycolor print, created before 1872, can be found in the Ashmolean Museum at the University of Oxford. The painting depicts two wives standing side by side, their figures draped gracefully in flowing garments. With delicate brushstrokes and meticulous attention to detail, Burne-Jones captures their ethereal beauty and timeless elegance. The women are portrayed holding hands, symbolizing unity and support within an unconventional relationship dynamic. Inspired by stories from the Old Testament, this artwork delves into themes of polygamy as it portrays Jason's two wives. It invites viewers to contemplate complex human relationships through a historical lens while appreciating the artistic mastery behind it. Through this mesmerizing composition, Burne-Jones transports us to a world where mythology intertwines with reality. The vibrant colors combined with intricate lines create a harmonious visual experience that draws us closer to these enigmatic characters. As we gaze upon "The Two Wives of Jason" we are reminded of art's ability to transcend time and evoke emotions that resonate across generations. This remarkable piece serves as a testament to Burne-Jones' genius as well as his contribution to Western art history.

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