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The Mariner, condemned to travel unceasingly from country to country, is also condemned
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The Mariner, condemned to travel unceasingly from country to country, is also condemned
XJF393858 The Mariner, condemned to travel unceasingly from country to country, is also condemned to relate his story to people he meets, scene from The Rime of the Ancient Mariner by S.T. Coleridge, published by Harper & Brothers, New York, 1876 (wood engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Samuel Taylor Coleridge (1772-1834); That moment that his face I see, I know the man that must hear me ; Plate 35; ); French, out of copyright
Media ID 12872405
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In this photo print, we are transported into the world of "The Mariner" from Samuel Taylor Coleridge's epic poem, "The Rime of the Ancient Mariner". The image portrays a haunting scene where the mariner finds himself condemned to wander endlessly from one country to another. As he travels, he is burdened with an additional punishment - the obligation to share his harrowing tale with those he encounters. Created by Gustave Dore in 1876 and published by Harper & Brothers in New York, this wood engraving beautifully captures the essence of Coleridge's timeless work. The intricate details and masterful use of light and shadow draw us deeper into the narrative. We can almost feel the weight of the mariner's penance as we gaze upon his weary face. His eyes hold a profound sadness, reflecting both his endless journey and his duty to recount his story time and again. It is through these encounters that he seeks redemption for past sins. Dore skillfully conveys a sense of isolation within this composition, emphasizing not only physical travel but also emotional exile. We are reminded that our actions have consequences that extend far beyond ourselves. This thought-provoking artwork serves as a powerful reminder that storytelling has always been an integral part of human existence - a means through which we connect with others and seek understanding in our shared experiences.
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