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The burning of St Johns Monastery near Smithfield by Wat Tylers mob (engraving)
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The burning of St Johns Monastery near Smithfield by Wat Tylers mob (engraving)
606283 The burning of St Johns Monastery near Smithfield by Wat Tylers mob (engraving) by English School, (18th century); Private Collection; (add.info.: The burning of St Johns Monastery near Smithfield by Wat Tylers mob in the reign of King Richard II); Look and Learn / Peter Jackson Collection
Media ID 23236072
© Look and Learn / Peter Jackson Collection / Bridgeman Images
King Richard Ii Peasants Revolt Pickaxe Pitchfork Reign Smithfield Wat Tyler Flames St Johns Monastery
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EDITORS COMMENTS
This engraving, titled "The burning of St Johns Monastery near Smithfield by Wat Tylers mob" transports us back to a tumultuous moment in history. Created by an anonymous English artist in the 18th century, this print captures the chaos and destruction that unfolded during the Peasants' Revolt. In vivid detail, we witness a frenzied mob led by Wat Tyler engulfing the grand St Johns Monastery in flames. The architecture of the monastery stands tall against a backdrop of billowing smoke and raging fire. The crowd is depicted wearing ragged clothing and brandishing pickaxes and pitchforks as they vent their anger towards King Richard II's reign. The intensity of the scene is palpable; you can almost feel the heat from the flickering flames leaping off the paper. This engraving serves as a stark reminder of how social unrest can manifest into destructive forces capable of tearing down even sacred institutions. As we delve deeper into this artwork, it becomes evident that it not only depicts an act of rebellion but also highlights societal disparities between those who held power and those who suffered under its weight. It invites us to reflect on historical events while pondering their relevance in our own time. "The burning of St Johns Monastery near Smithfield by Wat Tylers mob" offers viewers an opportunity to engage with both artistry and history simultaneously, making it a truly remarkable piece within Bridgeman Images' collection.
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