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Poster for UNCUT Season at BFI Southbank (1 Nov - 30 Nov 2012)

Poster for UNCUT Season at BFI Southbank (1 Nov - 30 Nov 2012)


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BFI (British Film Institute) Archives

Wall Art and Photo Gifts from British Film Institute

Poster for UNCUT Season at BFI Southbank (1 Nov - 30 Nov 2012)

Pink Flamingos
Irreversible
Maitresse
The Devils
Crash

The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image

Media ID 7971318

© BFI and Third Party material (profits made from this item will support the BFI National Archive


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Poster for UNCUT Season at BFI Southbank (1 Nov - 30 Nov 2012) (Pink Flamingos, Irreversible, Maitresse, The Devils, Crash)

EDITORS COMMENTS
. This print showcases the vibrant and eclectic poster created to promote the UNCUT Season at BFI Southbank in November 2012. Bursting with energy and a sense of rebellion, this artwork encapsulates the essence of this groundbreaking film event. The poster features a striking design that demands attention. Against a bold black background, the names of five daring films are emblazoned in eye-catching fonts: Pink Flamingos, Irreversible, Maitresse, The Devils, and Crash. Each title represents an audacious exploration into taboo subjects and pushes boundaries within their respective genres. The use of vivid colors adds an element of intrigue to the composition. Shades of pink evoke both playfulness and provocation while contrasting against the darkness surrounding them. This clever juxtaposition hints at the unconventional nature of these films – they challenge societal norms and provoke thought-provoking discussions about censorship and artistic freedom. As we gaze upon this print from British Film Institute's archives today, it serves as a reminder of how cinema can be a powerful medium for expressing ideas that push us out of our comfort zones. It celebrates those filmmakers who fearlessly tackle controversial topics head-on while inviting audiences to engage in dialogue about society's taboos. While not intended for commercial use but rather as a testament to

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